Tag Archives: 2013

Virginia Madsen in Battling Darkness

Battling Darkness

Battling Darkness is a documentary from 2013 which takes a look at the way the church deals with Exorcisms and how they’re portrayed by Hollywood on film.

Virginia Madsen was listed as taking part, I’ve half an interest in this kind of thing anyways and so naturally I was interested and found a copy, and…

… Well, let’s just say if I’d found a copy just for Virginia Madsen I might be a tad disappointed.

Which is to say, yes, she takes part in it… Just, not for very long. At all.

Battling Darkness is a 48 minute 2013 documentary that gets at spiritual warfare; the kind that’s about demons, exorcists, theology, and psychologists and all without pretending it’s anything but framed in a Christian worldview

It opens with a premise: the “visage of Satan” all but died before The Exorcist landed in 1973, and since Linda Blair’s possession, the world’s been obsessed with evil as both spectacle and reality.Virginia Madsen in Battling DarknessFrom there, we get quick cuts and talking heads. Psychologists, Exorcists, Pastors, and Linda Blair herself, all asking “is what Hollywood shows is Biblical or just sensationalism at its finest?”

They trot out the usual suspects for this kind of thing: Tony Campolo, Neil Anderson, Hank Hanegraaff, plus a Vatican certified exorcist, Father Gary Thomas And yeah, they toss in psychology, ask questions about possession versus mental illness, but the answer inevitably steers back to spiritual warfare as fact, not metaphor.

The trailer promises “examined with objectivity and insight”, but the lineup makes the tone clear: this is less “balanced academic inquiry” and more “Christian voices explaining the spiritual realm.”

(if you are reading between the lines here and thinking this kind of thing is wasted on me, then you’re right)

So what does it deliver?

If you’re already inclined to believe that demons are real, it’s a tidy little package: half-hour, familiar faces talking at you (note, not to you), some clips of exorcisms, a handful of psychologists for spice and seasoning.

You’re not getting peer reviewed studies or push back from prominent secular psychiatrists, this is all about getting you confirmation.

It’s what it says it is. No surprise reveals, no ideological sleight of hand.

If you walk in expecting clinical nuance, you’ll leave bored and / or annoyed by the absence of rigorous skepticism.

If you’re deep into evangelical spirituality or curious about what Christians consider spiritual warfare, it hits the expected notes. SURPRISE!

Virginia Madsen’s input is minimal, a quick comment on how dark The Exorcist is as a film, and that’s about the only contribution she makes to the whole thing – It’s a bit bizarre she’s in it at all, but… There we go.

Worth watching? Only if this is your lane. Long enough to provoke thought, short enough not to overstay its welcome.

Just don’t mistake it for a forensic or medical investigation.

It’s faith first, questions second which is comforting if that aligns with your worldview, frustrating if not.

As you may have guessed – I’ve little time for this kind of fluff – I don’t mind more balanced approaches, but things like this only serve to reinforce a view that already exists and either way, are a complete waste of time.

Availability:

You can find it on YouTube, and other places – I’ve not found it anywhere to buy though.

Trailer:

<    Previous Home Next     >
Virginia Madsen in The Last Keepers

The Last Keepers

So, The Last Keepers. Another that wasn’t exactly high on my list of films to watch when doing this Virginia Madsen watch / rewatch thing. And, I’m not sure if it’d even be on my list if it wasn’t for Mrs Madsen. No, I am sure. It wouldn’t be.

It’s not the kind of film that is trying to grab your attention either, it’s got quite a subdued presence all round. And, without meaning to sound like a broken record – I don’t know if I’d have even heard of it without Virginia Madsen.

Despite all its quietness and nonedescriptness, it’s a film you’ve seen before. Probably many years ago, and many times. It’s a “quirky girl finds out she’s actually quite special” kind of film.

See. Told you, you’d seen it.

Now. You’ve seen it before, but have you watched it recently?Virginia Madsen in The Last KeepersThe Last Keepers is charming. It wins you over. It doesn’t offer you anything new and doesn’t challenge you in any way. But there is something about it that all gels together and brings you that exact same fuzzy feeling you didn’t know was missing till it gives you that hug.

The quirky teenager of The Last Keepers is Rhea Carver (Zosia Mamet). She’s an artist who has always felt out of her place in her small town high school. She lives with her reclusive (“strange”) parents, Abigail (Virginia) and John (Aidan Quinn) alongside her wise old Grandmother, Rosemarie (Olympia Dukakis).

It’s an odd life to live, but a peaceful one. Rhea is happy enough with her lot, she might not have the life of a normal teenager, but she’s happy enough. But, all that changes when she finds out she’s actually the latest in a long line of female mystics who possess ancient magical powers. Normally these powers manifest as Telekinesis, Visions or Healing, but Rhea seems to have command over all three – This insinuates that she might be “The Chosen One” of prophecy.
Virginia Madsen in The Last KeepersAnd that, of course, explains everything.

Rhea’s powers begin to get stronger, the family begin to realise that even within their own world that she’s displaying powers stronger and more powerful than is normal. Abigail has visions which lead her to be more protective over Rhea than she should be. There’s problems at school when her classmates realise there is something going on with Rhea which leads to accusations of her being a witch, not helped because she actually is a witch.

Rhea soon begins to feel the pressure and overwhelmed by it all, but with her family’s help and support she makes all the right choices, eventually, and embraces her destiny.

OK – So, that’s the broad strokes. There is a lot more to it than that but it’s all noise and melodrama, and you’ve seen it all before.Virginia Madsen in The Last KeepersVirginia Madsen is superb form here. I’ve said before that she does this kind of role so well. But I sometimes take for granted how well she does it. In The Last Keepers it’s on display more than most other times just how layered she can make these roles. There is a warmth and a depth to Abigail that simply shines. The internal conflict she has over wanting the best for her daughter but at the same trying to protect her family’s legacy.

The whole cast is great to be fair, and I think that is one of the things that makes this film so charming. It’s really well done, for what it is.

(Also worth a little nod to the fact she’d work with Aidan Quinn a few years later in Elementary)

Is it groundbreaking? No.

Is it as cheesy as it gets? Yes.

Can you find a reason to hate on it? Doubtful.

Is it going to give you warm fuzzy feelings? Probably.

Am I writing this with a little too much light in my soul after watching it? Definitely.

This isn’t my cup of tea, and I probably won’t watch it ever again without reason. But I won’t ever knock it.

This is no doubt a film that has flown under too many people’s radars. It deserved better.Virginia Madsen in The Last KeepersIt’s hard to recommend the film as an  adult, for an adult audience (as I assume most people reading this are) – BUT – If you have kids of a certain age who need to see a bit of good in the world then you can do far worse than watch this with them.

Availabilty:

Good. No problems at all finding this one on DVD. Blu-Ray is harder to find, seems like it was only relased in some countries this way and it’s also available on Amazon Prime, depending on your location and or access to a VPN.

Trailer:

<    Previous Home Next     >
virginia madsen in hatfields and mccoys

Hatfields & McCoys

The History Channel had a little success with a TV mini series in 2012 based on the Hatfield & McCoy feud of the mid to late 1800’s. Because of this NBC decided they wanted to a slice of the Western pie and as a part of that, they commissioned a pilot for a new story based in the modern day. They would call that TV Show Hatfields and McCoys.

Never heard of it? No, probably not – And, that’s probably more down to the fact it never got past the pilot stage and was never shown on TV.

The idea of the show was that the feud continued on to the present day and the families are still very much at war with one another. Which, isn’t actually the case at all – The families fighting history is pretty much a tourist attraction now.

The premise being that in the modern day a sudden death in the McCoy family is blamed on the Hatfields and, well, you can probably take an educated guess on the rest.
virginia madsen in hatfields and mccoysHatfields and McCoys had the right pedigree to be a success, Charlize Theron threw her stetson into the ring as one of the producers. The casting wasn’t too shabby, Virginia Madsen was to take the lead as Eloise McCoy, the matriarch of the family (I’ll refrain from commenting about Virginia in this kind of role). Other members of the McCoy family would be played by Sophia Bush as Emma, Jesse Lee Soffer as Patrick, Luciana Carro as Treena and Patrick Flueger as Jack.

There was no slouching on the Hatfields side either, Rebecca De Mornay was set to play Mary Hatfield, James Remar as Joe and Annie Ilonzeh as Shannon.

But, it wasn’t enough for NBC and they ultimately decided to take a pass on the show and didn’t order any more episodes.

All is not completely lost though as the unaired version of the pilot did eventually make it to the internet so at least we can see what we missed out on, unlike Babylon Fields which has yet to see the light of day.
virginia madsen in hatfields and mccoysIt isn’t too bad – A bit generic, perhaps. Virginia Madsen pretty much took on the same kind of role that she had in Scoundrels, and I was really reminded of that more than once with Patrick  Flueger on screen with Virginia once again. Nice to see, I’ve a lot of time for Patrick but perhaps this one was a little close to home.

Availability:

Pretty good, for now at least…

<    Previous Home Next     >
virginia madsen in witches of east end

Witches of East End

Witches of East End is a TV show that ran from 2013 to 2014 and lasted two Seasons on the Lifetime Channel. It was cancelled after its second Season showed a decline in ratings. It’s loosely based on the book of the same name by Melissa De La Cruz.

It’s another that sadly wasn’t for me. I watched the first two episodes and I could see the road where we were travelling. Shows like this are hit and miss for me personally, I like Supernatural for example, but shows like Witches of East End are too glossy(?) for me. I think I’m probably too old for the audience it was aiming for.

The show follows the trials and tribulations of the Buchamp family, who have tucked themselves away in a small town known as East End. Joanna Beauchamp (Julia Ormond) is the mother of two children, Freya (Jenna Dewan) and Ingrid (Rachel Boston). Unknown to the two children, they have a secret: they are born Witches.

Joanna is trying to keep them from finding out the truth, BUT – Well, obviously that never works out well in these kinds of shows and they inevitably start to work things out. Especially when Joanna’s sister, Wendy (Madchen Amick) pops up aiming to cause trouble and insistent the pair know their heritage.
virginia madsen in witches of east endVirginia plays Penelope Gardiner, the main antagonist of Season 1 of the show. She’s the atypical villain of one of these kinds of shows, she can be sweet, loving and Mothering but she’s got an evil streak a mile wide. It’s not long into the show before we see this. When we learn she stole her own kid’s power to make herself even powerful it’s no surprise.

She plays her part well enough, but it’s nothing we haven’t seen her do before in one form or another. Obviously always a delight to have her on screen, hamming it up or not, but we aren’t going back to awards country for this one.virginia madsen in witches of east endHard for me to give a personal recommendation fo this one. It seemed to be done well enough for this kind of show, but as I said. Not for me ultimately. It did have a good following while it was on air though and the fans of the show tried to do the campaign / petition thing to keep it on air, but that didn’t work.

Availability:
Good on Region 1 DVD and you can purchase it on most of the usual places for streaming.

Gallery:

Trailer:

<    Previous Home Next     >
virginia madsen in the hot flashes

The Hot Flashes

The first time I came across this one was on Netflix. I wasn’t paying particularly close attention to Virginia Madsen’s career at that point and I saw her standing there with a bunch of ladies and a basketball.

It was late at night and I’d nothing else to do so I hit play. And, damn. I don’t know if it was because it was late at night or the idea of seeing something new from Virginia after a long time but I properly enjoyed it. For what it was at least.

The film centres around a group of middle aged women, some at the time when menopause is an issue in their lives. Beth Humphrey (Brooke Shields) is one of these women. She’s trying to get herself tested for Breast Cancer but is upset to learn her local Testing Centre is closing down due to the lack of funding.

Not just upset because it’s closing but upset because one of her close friends had died three years prior, she’d left the Centre a substantial amount of money so it could keep going and maybe help someone be more fortunate than herself. It turns out there has been a mistake with some paperwork and so the Centre can’t get the help it so desperately needs. For it to remain open it needs another $25,000.
Virginia Madsen as Clementine Winks in The Hot Flashes. She stands behind a grocery store checkout counter wearing a red and black uniform with a name tag that reads 'Clementine.' Her long, curly blonde hair is styled with a small clip, and she has a slightly skeptical or amused expression while looking at a customer. The background features produce shelves and a bright yellow sale sign, emphasizing the everyday settingNot willing to let it drop, Beth gets in touch with some of her old high school friends and arranges with them to raise the money for the Testing Centre to remain open with money being charged for various things to see them play and making bets on themselves to win.

Ginger Peabody (Daryl Hannah), Florine Clarkson (Wanda Sykes), Roxie Rosales (Camryn Manheim) and Clementine Winks (Mrs Madsen) have made it through life in many different ways with varying degrees of success, but they agree to help. Some are more willing than others…

And thus the ladies set about trying to prove everyone who thinks they can’t do it wrong and the film goes on. It’s an underdog’s tale, you know the ones.

I guess in some ways it’s kind of a modern take on Long Gone. It’s the same kind of story when you step back and look at it. Not a bad thing at all, just a Virginia related observation.
Virginia Madsen as Clementine Winks in The Hot Flashes. She stands in a gymnasium wearing a pink and black athletic outfit, her hands on her hips and an amused expression on her face. Beside her, Brooke Shields in a gray tank top holds a basketball, smirking. The exposed brick walls and wooden bleachers in the background set the scene for a casual yet competitive basketball environment.It does actually have a very noble and worthwhile purpose by bringing some awareness to Breast Cancer, at the film’s premiere the ladies walked down a pink carpet instead of a red one and it served as a benefit for the American Cancer Society.

Sheryl Crow, a breast cancer survivor herself would give an original song to the film “Leaning in a New Direction”

The film was released to mixed reviews, some enjoyed it for what it was (like myself) and others, in my opinion, took it all too seriously and bashed it for no real good reason other than they could. Not everything needs to be deep and meaningful for it to be worth watching.

And, personally I think it’s also worth some points for being a tale of “woman of a certain age” as well, they could so easily have swapped out the cast for some young nubile things which would have lessened the message behind the film. It crossed my mind when I was originally watching it but it seems as though the reviewers, and critics, of the film also picked up on the fact. Good.

[ahem] – Getting back to the film…
Virginia Madsen as Clementine Winks in The Hot Flashes. Sitting on the bench with her basketball teammates, she leans forward, extending her hand into a group huddle led by a young coach holding a clipboard. Dressed in pink and black uniforms, the team appears focused and determined, with a crowd of spectators watching from the background in the lively gymnasium settingVirginia has spoken highly of the film, in an interview with The AV Club she has this to say;

“it was a straight-up offer, which is always appreciated. It’s always wonderful to just not have to audition for something. They sent me the script, and I had to be there in, like, two days, but… I think I probably said yes before I read it, because of the cast and the director and just that it was a story about all of these incredible women. I mean, all that cast on one script? I was like, “This can’t be real. This is mine? You want me to be in this with these girls? Yes!” So I said yes without finishing the script. I think I read about 30 pages, and I was like, “Yeah, I’ll do it.” And, luckily, I was in really good shape, so I was ready and up for the challenge. I generally don’t like any sports that involve running. [Laughs.]

But the thing is, when you get a role, actors will do anything to make that role sing. Just the fact that I can have live bees all over me in Candyman proves that we’ll do anything, basically, for a good performance. [Laughs.] So I thought, “Well, I don’t know how to play basketball, but if I look cool, then it’ll be okay.” But that didn’t work, because with this, you really have to know how to dribble the ball, and I couldn’t even do that. They’d all had a basketball clinic, and we had a great coach named Carla who was a professional basketball player, but I pretty much went from the airport to the court, so they all just rallied around me. They just played and played and played. And while shooting, every moment between takes I was learning how to dribble, how to do a layup, and it was really, really hard. It was physically very challenging, which is exciting and appealing to me. I love physical challenge

And it turned out I was pretty good at it! As soon as I knew how to do a layup, I was like, “Oh, that’s it! That’s how you do that!” The girls were really badass, and they just helped me to feel confident. That day, we became a team.”

And you know what? It is good to see all the ladies come together here, I’d like to say Virginia steals the show, but she doesn’t. There is an obvious camaraderie about the gang and I’d be willing to bet there are a few tales to be told from behind the cameras. Of course, the film reunites Virginia Madsen with Brooke Shields who were both previously in After Sex together, and, this is a much better film for both of their talents.

Availability:
Good. Lots of cheap copies on DVD (in a snazzy pink case of course) and it can be found on streaming (like I did originally).

Gallery:

Trailer:

<    Previous Home Next     >
virginia madsen in anna nicole

Anna Nicole

Anna Nicole, it should come of no surprise, is a Biopic about the life and ultimately tragic death of Anna Nicole Smith. It’s a TV movie made for the Lifetime Movie Network in 2013.

Agnes Brucker fills the shoes of Anna Nicole. The film follows her life from plain old Vicky Lynn Hogan from Houston in Texas through to the height of her fame as the Marilyn Monroe styled Playboy Pinup married to Howard Marshall (Martin Landau), an 89 year old Billionaire.

The marriage between Anna and Howard would last 14 months, Howard would die on Pneumonia leaving Anna his widow.

Anna would lose her only son, Daniel (Graham Patrick Martin), 20, just three days after the birth of her Daughter, Dannielynn on the 10th September 2006.

Less than six months later, Anna Nicole Smith would be found dead on February 8th, 2007.

Much, very much, has been written, filmed and discussed about Anna Nicole Smith, I don’t think I need to go over that again here. It’s well documented at this point. My own thoughts aside, it is without doubt a sad tale of fame and fortune gone wrong.

Virginia Madsen plays her Mother, Virgie Arthur. She’s not in the film a lot, making a brief appearance in the beginning, middle and end. You’d be forgiven for not even realising she was in it.
Virginia Madsen as Virgie Arthur in Anna Nicole.This is far from the Virginia we are used to seeing in movies, in a good way. Her “sex symbol” qualities gone behind rollers in her hair and an overweight body. In a good way, it’s acting, it’s just not often you get to see her like this. She does, as always being a certain something to the role that is unmistakably her.

The films Director, Mary Harron, would have nothing but praise for Virginia in how she handled the role;

“Virginia Madsen is a very beautiful woman. How can we, you know…Anna Nicole Smith’s mother does not look like Virginia Madsen, but we had a long conversation before she came on, about how she wanted to change her appearance. She wanted to do, I want to be careful how I say this…A character part.  Virginia Madsen really went for it in this tough moment. You wouldn’t normally think of her playing this type of character, because she is playing against type. I think actors like that opportunity. Actors like that, because it allows them to show their range.”

Virginia Madsen as Virgie Arthur in Anna Nicole.The film, I think, is done well. It’s quite sympathetic towards Anna Nicole considering the way it could have gone. Watching her grow up in this movie it’s hard not to feel a little empathy towards her. It’s almost an uplifting ending the way it frames Anna’s death, almost a relief that she managed to escape the wreck of her life.

It’s a hard watch, but a good one. Obviously there are some things glossed over. I’ve already mentioned it seems sympathetic towards Anna, and, there is a lot you shouldn’t feel sorry for with Anna Nicole. She was no angel, but this movie glosses over a lot of that. It’s not a bad thing, and there is only so much you can do in one movie.

Worth a watch if you’ve only ever seen and or heard negative things about Anna, it might give you a different perspective on it all.

Availability:
Not hard to find at all. Pretty much freely available on DVD and lots of streaming services seem to carry it.

Gallery:

Trailer:

<    Previous Home Next     >
virginia madsen in crazy kind of love

Crazy Kind of Love

Crazy Kind of Love is another small indie film entry from Virginia Madsen. The film is from 2013, it’s based on the novel Angel Angel by author April Stevens which was first published in 1995. Its budget is definitely low, but it’s another one I thoroughly enjoyed. Once I’d switched my brain off anyway.

Augusta (Virginia Madsen) is a Mother of two young adults, she’s having a rough time of it. She found out her husband and the Father of her two kids was having an affair, he ultimately leaves the family behind and it breaks her.

She has a full nervous breakdown and spends her time in her bedroom generally just trying to find the will to carry on. Her youngest son, Henry (Graham Rogers) lives at home and hates seeing his Mum like this and so sets about doing what he can to help. Not that he’s in much of a fit way to do this, he’s a massive pot head and has his own problems to deal with.
virginia madsen in crazy kind of loveHenry meets a girl himself along the way, Bette (Amanda Crew). She’s, well, an interesting character – Who I do like – But, if this wasn’t a movie, I’d be questioning a lot of her actions.

Bette ends up pretty much inviting herself to live with Henry and his Mum, eventually Henry convinces his older brother Matthew (Zach Gilford) to come home to help get Augusta out of the funk she’s found herself in.
virginia madsen in crazy kind of loveIt’s Henry’s drug dealer, Jeff (Sam Trammell) plays a huge part in getting the family to heal, yeah – it’s a quirky bunch of characters for sure. Henry isn’t your typical badass kind of drug dealer, he’s the enlightened hippy kind.

I mentioned earlier that you had to switch your brain off for it, and you do. It’s very easy to pick holes in if you want to be cruel, but the heart is in the right place. There’s a lot of stuff that just wouldn’t happen in real life, and that’s OK – This is a movie and it’s allowed to happen like that.

I don’t know if I’d call Virginia Madsen’s role in this one a supporting one or not. She’s definitely one of the main characters but at the same time we don’t see a lot of her in comparison. It is a fine performance though, she plays the part well. Sadness exudes out of her when it should and as the film goes on and she starts to come round a bit you can see the spark return to her.
virginia madsen in crazy kind of love

It’s a fine example of the kind of work she can do when she’s given the chance, the kind of performance you wish more people were made aware of.

It’d be easy to pick this one apart but overall I think I’d be happy to recommend watching it. It’s an indie flick, it has some great performances by some talented people and provided you don’t go deep on it, it makes for a great easy watching movie.

Availability:
Good on Region 1 DVD and streaming on Amazon Prime

Trailer:

<    Previous Home Next     >
virginia madsen in susanna

Susanna

Susanna is the final WIGS series in which Virginia Madsen makes an appearance after Jan and Ruth & Erica.

Much like the other two (and the whole WIGS universe) the show features the main character at a certain point in her life. Each episode is around 10 minutes long, this one like Jan features episodes that run on from each other or move to a different setting entirely.

Susanna (Maggie Grace) is a career woman with a sister, Katie (Anna Paquin), who just had a baby and isn’t coping so well. The series revolves around dealing with Postpartum Depression and the effects it has on the family as a whole, not just the mother dealing with it.

As well as trying to help her sister and her niece she’s got a big project she needs to deliver at work with plenty of people hoping she’ll fail. She takes on the baby while her sister is in the hospital getting treatment and has to juggle her life around to make it all work.

It reminded me more of Ruth and Erica than it did Jan, it’s all sensitively handled and although I’ve never had to deal with anything like this myself in real life I believe I got a real feeling, or indication at least of what it must be like to deal with something like that in the family.

Anna Paquin steals it for me in this one, I know it’s not her show but to me she is the one doing all the heavy lifting here. Maggie Grace does her part, and well, but it’s more of a straight forward and less nuanced role in a lot of ways. That isn’t to say she doesn’t deserve any kudos, far from it.

Virginia shows up in the 12th and final episode, in an actually quite surprising role, I don’t know why. I’d half forgotten she was in it to be honest and was invested in the actual story at that point. It’s literally the last half of the final episode when she makes her entrance.

And, yes of course she owns the screen the entire time she’s on. She’s doing her patriarch thing we’ve seen her do a few times and will see her do again.
virginia madsen in susannaAgain, like both Jan and Ruth and Erica, it’s hard not to get invested in the show as you watch it. It’s a bit odd watching the short form episodes, especially when they run on from each other. I can see the appeal of this format for those on a commute or something, they’d easily kill a 10 minute bus ride or something and leave it easy to pick up on another time.

Unfortunately Susanna would be the last we saw of this universe, on YouTube at least. One of the most popular WIGS shows, Blue, would try to make the transition to the slightly bigger TV Screen on the FOX Network, broadcast on HULU. I guess the idea was for the other shows to follow in some way. Blue seems to have been taken off the YouTube Channel now for whatever reason.

I can’t seem to find any official notice about Blue being cancelled and the show ends on a cliffhanger so I guess that wasn’t actually the plan.

WIGS was the Number 1 Scripted Channel on YouTube for a while so it was definitely popular, and while I admit I only found and watched any of their content through my interest in Virginia Madsen I am probably going to go back and watch the whole thing at some point.

Availability:
All episodes are still available on YouTube at the time of writing.

<    Previous Home Next     >